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The Semi-Circular Tower

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The Mamluk Sultan Husam Al-Deen Lajin built this semi-circular tower in 1297-98, on the remains of a Crusader tower, to defend the access ramp to the citadel. It has four accurately oriented arrow-slits and an upper platform where a war machine could be located.

Such a hypothesis is supported by Mamluk military treaties and by the discovery of counterweights and missiles of different calibers at the site, findings now exhibited in the Museum.

The tower, with its monumental inscription celebrating its construction, along with most of the new imposing fortifications, overlooks the road coming from Damascus, a province politically hostile to the Sultan.

 

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Archaeologists have reconstructed the evolution of the castle over time by analyzing the sequence of construction phases and identifying the building techniques used in each historical period.
In this particular tower, we see a construction style typical of the Mamluk period, characterized by large, squared blocks of organogenic limestone.

To learn more:

  • Nucciotti, Michele. “Analisi stratigrafiche degli elevati: primi risultati.” In Archeologia dell’insediamento crociato-ayyubide in Transgiordania. Il progetto Shawbak, edited by Guido Vannini, 27-55. Firenze: All’Insegna del Giglio, 2007.
  •  Walker, Bethany, and Francesca Dotti, Michele Nucciotti. “Shawbak and the mamluk Transjordan.” In Da Petra a Shawbak. Archeologia di una frontiera. Catalogo della Mostra, edited by Guido Vannini, and Michele Nucciotti, 126-131. Firenze: Giunti, 2009.

For further information on the siege techniques and war machines used during the medieval period:

The dedicatory inscriptions that decorate this tower and other Mamluk-era bastions have been studied and compared with similar examples across the Islamic world.

For further details:

  • Dotti, Francesca. “Qal’at al-Shawbak: an interpretation on the basis of the epigraphic data.” In Proceedings of the 6th International Congress of the Archaeology of the Ancient Near East, III: Islamic Session, edited by Paolo Matthiae, Frances Pinnock, Lorenzo Nigro, and Nicol Marchetti, 23-36. Wiesbaden: Harrassowitz Verlag, 2010.

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Last update

14.04.2025

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